How to use variable fonts in the real world
A variable font is a single font file which behaves like multiple styles. (I wrote more about them here in an extract from my Web Typography book). There are plenty of sites out there demoing the possibilities of variable fonts and the font variation technology within, but for the new Ampersand conference website I wanted to show variable fonts being using in a real, production context. It might well be the first commercial site ever to do so.
Two months ago browser support for variable fonts was only 7%, but as of this morning support is at over 60%. Safari 11, Chrome 62+, Firefox 57+ and Edge 17+ all support variable fonts (Firefox only on a Mac and if you set the correct flags). This means font variations is a usable technology right now. But not all support is equal, as you’ll see.
Variable font capable software is already more pervasive than you might think. For example, the latest versions of Photoshop and Illustrator support them, and if you’re using macOS 10.13+ or iOS 11+ the system font San Francisco uses font variations extensively. That said, the availability of variable fonts for use on the web is extremely limited. At the time of writing there are very few commercial variable webfonts available (Dunbar and Fit are notable exceptions), but there is a growing number of free and experimental variable webfonts, as showcased in the Axis Praxis playground and more recently listed on Variable Fonts.
From this limited palette of fonts, we (by which I mean Clearleft designer James Gilyead) chose Mutator Sans for the display text, and Source Sans for the body text in a Saul Bass-inspired design. Both fonts enabled us to make use of their variable weight axis. Fonts chosen now came the tricky, multi-step business of implementing variable fonts into the website. I’ll take you through how we (by which I mean Clearleft developer Mark Perkins) did it, using simplified code snippets.
1. Link to the fonts
Getting your variable fonts working in a basic fashion is fairly straight forward. At the time of writing Safari and Chrome have the most complete support. If you’re following along with these steps, you’ll need one of those browsers to start off with.
We downloaded the Source Sans variable font from its home on Github and used
@font-face with the standard format of
truetype to link it up to the stylesheet:
We could then set the variable Source Sans font as the main typeface for the page in the usual way:
2. Set the weights
The variable font implementation in CSS is designed to use existing properties for certain pre-defined variation axes. We’re using three weights within the body text: regular, semibold and black. We set the bold fonts using
font-weight in the usual way:
However this doesn’t work as expected without modifying the
@font-face rule. When you include a
font-weight descriptor in an
@font-face rule, you are telling the browser that the font corresponds to that weight, and that weight only. When you omit the
font-weight descriptor, the browser treats the rule as if you set
font-weight:400. This is the case whether or not your font is variable with a weight axis – the font will be ‘clamped’ to a weight of 400.
To make use of the weight axis, and for the
font-weight properties to work as you might expect, we needed to add a
font-weight range to the
The font weight range allows the variable font to be displayed at any weight from 1 to 999 (you could specify a more constrained range if you wanted). In the near future the CSS Fonts Level 4 spec will allow you to omit the range descriptor because the default value will become a new value of
auto, thus enabling the full range of weights available in the variable font, and defaulting to
normal for static fonts. (The same applies to other descriptors such as
With variable fonts, your weight doesn’t have to be limited to intervals of 100. It can be any integer in the range 1-999. For the main heading, set in Mutator Sans, we used subtle differences in weight for each letter to give a more hand-drawn feel to the design:
3. Subset and create a WOFF2
The Source Sans variable font is pretty big: the TrueType file is 491Kb. This is mostly because it has a huge character set: nearly 2000 glyphs including Greek, Cyrillic, alternate characters and symbols. Your first step in reducing file size is to create a subset of the font so that it no longer contains characters you won’t ever need.
We decided to be fairly conservative in what we kept in, so we subsetted to include Basic Latin, Latin-1 Supplement and Latin Extended-A character ranges; a total of around 400 characters covering most European languages. In Unicode terms these are
There are plenty of online tools for subsetting fonts, such as Fontsquirrel. However all tools that I have seen strip out the variation data. This means you’ll need to turn to a command line approach. We subsetted the font using the open source
pyftsubset, a component of fonttools (see Michael Herold’s tutorial for more info). If Node is more your thing, you could instead use Glyphhanger.
Both Glyphhanger and fonttools (if you install Brotli compression) will output the subsetted file as a WOFF2. We don’t need a regular WOFF as well because all browsers which support variable fonts also support WOFF2.
Running the subsetting routine and conversion to WOFF2 gave us a pleasingly tiny 29Kb file. We updated the
@font-face rule accordingly:
So that’s the job done for browsers which support variable fonts. But that’s barely half the story.
4. Provide fonts for incapable browsers
Variable fonts do render on browsers which don’t support font variations, but you obviously have no control over which weight (or other axis instance) will be used.
To get around this, you need to serve non-variable (single-style) fonts to these browsers. At the time of writing, the CSS Fonts Module Level 4 specifies that variable fonts can be indicated with a specific
This enables you to create
@font-face rules like this:
The preceding code points to the single-style font files with an
@font-face rule including the font’s weight, as you would normally. You can then repeat a reference to the variable font file in each rule. Browsers which support variable fonts will download the file marked as
format('woff2-variations') (once only), and browsers which don’t will download the single-style font marked as
But. Only Safari supports
format('woff2-variations') (and that syntax is changing) which rather messes things up if we want the other capable browsers to get their variable font. So we resorted to a different, rather more verbose tactic. Firstly we gave the variable font a different name to the single-style typeface, thus separating links to variable fonts from single-style fonts:
We then needed to write an @supports rule to ensure the right fonts went to the right browsers:
In the above code, the single-style fonts are specified as standard, however if a browser supports variable fonts (it’s a reasonable assumption that can be judged by support for
font-variation-settings) then it gets the variable font instead.
One final thing. For a belt and braces approach, every time you use variable fonts you should explicitly set the font weight even when the weight you want is
normal. With a variable font, one browser’s idea of the default weight may differ slightly from another. In our testing Firefox rendered default text significantly lighter than Safari and Chrome, until we did this:
And that’s it. Do check out how it came together on the Ampersand website, and don’t forget Ampersand is a conference dedicated to typography on the web – if that’s your thing you might want to check it out. There will be plenty of discussion of variable fonts, and much more besides.
To get the full low-down on variable fonts – and a lot more besides – join me and experts from around the world at Ampersand to get the full picture of what web typography can be today. The day before the conference I’ll also be running a responsive web typography workshop.