There are 50 entries matching ‛font classifications’:
I want to design a new way for visual designers to find fonts which specifically suit their needs and the needs of their clients. This means approaching things by way of a user-centred design process. And I need your help.
A fantasy proposal for a website which automatically generates font stacks based on community input.
Unicode Font Info is a really handy free application for OS X. Essentially it’s a font inspection tool with full support for Unicode 3.2, allowing you to easily navigate huge fonts with tens of thousands of supported glyphs.
The font-stretch property was removed from CSS2 in the transition to CSS2.1. Unfortunately this leaves us with a rather gaping hole in overall font support.
Two weeks ago I was invited to Berlin for a CSS Working Group meeting. One afternoon was dedicated to resolving issues with the CSS Text and Font modules. Two resolutions in particular will affect the CSS we need to work with variable fonts.
Following on from yesterday’s post regarding Opera’s probable support of web fonts, there comes a timely press release from font publishers, Ascender.
Investigation into, and a fix for a peculiar bug in Mac-based Webkit browsers, including Safari and Chrome.
Survey of installed fonts on different platforms, Mark Newhouse’s real world CSS and the Polar Bear 2 is in beta.
Håkon Wium Lie recently intimated that the forthcoming release of Opera will support downloadable fonts. Great news for web designers, but is it bad news for type foundries?
There’s more to the lives of many typefaces than just Bold and Regular, but almost no browsers follow the proper CSS 1 way of specifying Light, Semibold, Black and other weights. There is a workaround, but it’s nasty.
Earlier this week it was announced that WebKit now supports CSS @font-face rules. There has been a mixed reception in some quarters, but this leap forward (for that’s what it is) has to be a good thing.
A free font has made it into MyFonts’s top ten list of best selling typefaces. There’s a lesson there somewhere.
Variable fonts are a new font format offering unprecedented flexibility. They will be landing in web browsers and native operating systems within 12 months. Learn how to try them out now.
Just recently Jeffrey Zeldman was bemoaning the sub-standard state of text rendering in Firefox on a Mac. And the sad truth is he only skimmed the surface; Firefox, Safari, Opera and Camino may render even the same font differently.
A call out to font foundries to stop fretting about web font embedding and instead make it work in their favour.
Why and how Web designers should be using font-family in a more adventurous manner: there are some great typefaces out there – let’s use them. The Visibone survey is an invaluable aid in typeface selection.
The CSS3 font module has come back to life, and web designers have been asked for the their wish lists. Here’s mine.
Back in January I was part of a double bill with Jon Tan, entitled Skillswap goes typographic. It went down really well so I thought I’d better tie it all together here.
Text for the screen is sized with CSS in terms of pixels, ems or keywords. Pixels is easy, keywords are well documented. That leaves ems. I will now attempt to show you how ems can be as quick and easy to use as pixels.
Using variable fonts in the real world turns out to be tricky. This post explains how we achieved it for the new Ampersand website and what we learned along the way.
Thomas Phinney, Adobe’s Fonts Product Manager for & Global Typography has posted a survey asking Web designers/developers about different implementations of font-face.
An unedited extract from my forthcoming book, Web Typography. This chapter is quite technically focussed and hopefully stands well on its own. The other chapters I’ve written contain much higher proportion of typographic theory.
I’m no lover of Helvetica but neither do I hate it. That said I really do have an aversion to Helvetica Neue Light, or rather an aversion to when Helvetica Neue Light is used without due thought and attention, and particularly within user interfaces.
A tale of how typesetting a beautiful poster led to an exploration and explanation of how manually kerning type on the web can be tricky, but also made to work across browsers.
A couple of days ago, my installation of Google Chrome updated itself from version 49 to version 50. The timing was fortuitous and relieved me of a growing text rendering headache.
At Typ09, FontShop put together Webfonts Week, a series of interviews with leading type designers. There is universal support for webfonts now, even from those who were dead set against it a year ago.
Your mantra for today: ditch divs and eliminate ids for leaner, more meaningful mark-up. Now before you turn away, branding me as a slave to semantics, I will explain some of the common misconceptions to show how the number of divs and ids can easily be reduced.
The latest issue of Design Edge Canada magazine – a publication for Canada’s graphic design industry – was a web typography special for which I contributed top ten tips for web typography.
I’m extremely proud to say that two weeks ago Fontdeck opened its doors to the type-loving public. It’s been a long time in coming – too long I’d admit – but Fontdeck is now live and I’m hugely excited about what’s to come.
Jakob mourns the demise of the text sizing buttons IE but fails to point out that it won’t have any effect on a Windows machine if text is sized in pixels. Microsoft have stopped giving away their free web fonts.
I’m proud to have been part of the Web Typography panel at SxSW 2009 alongside Jon Tan, Ian Coyle, Elliot Jay Stocks & Samantha Warren. I’ve jotted down some of the topics we discussed, and some we talked about beforehand but didn’t have time for.
The availability of fonts for use in Web typography, or more specifically the lack thereof, has been getting some welcome attention recently.
Why is the humble apostrophe so regularly misused and why are hairdressers so often the culprits? Ladie’s perm’s at half price (As the Guardian readers’ editor points out, journalists who should know better also get it wrong.) Apostrophes have two…
Getting work with governmental bodies frequently involves a tedious, time consuming, tendering process with spurious clauses bad for the soul.
Mozilla 1.0. Stick a fork in it. It’s done and looking good. Posted a few pikkies from the Mini Rally recently held in Brighton. Check out those wonderfully ridiculous chopped cars – why have a small car when you can have a tiny one? Like me, Owen Briggs has been…
More tedious mark-up discussion. This time it’s versus .
So Mark and I gave our presentation yesterday at South by Southwest. The slides and some references are online, along with a recording of the session and its transcription.
HTML Entity Character Lookup is a little free webapp and comes a Dashboard widget too, which is super-handy.
Last week Digital Arts online featured me, among others, in a piece on web fonts in 2015. My main points were twofold: more interesting treatments are required, and type designers keep giving us more fantastic materials to work with.
The Web Standards Awards have just launched tp celebrate and encourage CSS-based design. The emphasis will be on commercial sites which is definitely a good thing as the Web design world as a whole has a lot of catching up to do.
I’m on two proposed panels for SxSW 2010 – please cast a thumbs up in their favour! Also, some typography and other interesting looking panels that caught my eye.
Here’s something that’s been playing on my mind recently. What role can CSS alone play in making websites accessible?
Following on from Doug Bowman’s recent article on potential bandwidth savings for Microsoft, in which he recounts using CSS to rebuild Microsoft’s home page, I’d like to restate here the points I made in my Ten Questions interview with the Web Standards Group.…
This Friday, 24th October 2008, I’ll be presenting as part of Head, a three-day global web conference. My talk is entitled Facing up to Fonts in which I get to talk more about web typography for the first time in ages. Update: Win a ticket!
The media conference this year was as good as ever. Even the queues for coffee and food were quicker this year. I’ve jotted down a few tidbits gleaned from the sessions I attended.
Epizootic is to animals as epidemic is to people. And a brief exploration of putting Unicode characters into Web pages.
Design Week had an editorial highlighting the demise of craft skills and typography in college curricula. It reminded me that courses teaching web design in the UK rarely include such skills in the first place. So where are the good courses?
Clearleft we know we have a responsibility to the industry to help redress the gender balance, and that means putting together diverse line-ups at our conferences. This is much easier said than done, but difficult doesn’t mean impossible.
Notes from the Macromedia MX 2004 seminar. In particular how Dreamweaver pleases and disappoints and how Flash video gets better and better.