There are 50 entries matching ‛@font-face’:
Two weeks ago I was invited to Berlin for a CSS Working Group meeting. One afternoon was dedicated to resolving issues with the CSS Text and Font modules. Two resolutions in particular will affect the CSS we need to work with variable fonts.
Earlier this week it was announced that WebKit now supports CSS @font-face rules. There has been a mixed reception in some quarters, but this leap forward (for that’s what it is) has to be a good thing.
The font-stretch property was removed from CSS2 in the transition to CSS2.1. Unfortunately this leaves us with a rather gaping hole in overall font support.
Håkon Wium Lie recently intimated that the forthcoming release of Opera will support downloadable fonts. Great news for web designers, but is it bad news for type foundries?
The CSS3 font module has come back to life, and web designers have been asked for the their wish lists. Here’s mine.
Variable fonts are a new font format offering unprecedented flexibility. They will be landing in web browsers and native operating systems within 12 months. Learn how to try them out now.
Using variable fonts in the real world turns out to be tricky. This post explains how we achieved it for the new Ampersand website and what we learned along the way.
Thomas Phinney, Adobe’s Fonts Product Manager for & Global Typography has posted a survey asking Web designers/developers about different implementations of font-face.
A free font has made it into MyFonts’s top ten list of best selling typefaces. There’s a lesson there somewhere.
A fantasy proposal for a website which automatically generates font stacks based on community input.
Unicode Font Info is a really handy free application for OS X. Essentially it’s a font inspection tool with full support for Unicode 3.2, allowing you to easily navigate huge fonts with tens of thousands of supported glyphs.
Following on from yesterday’s post regarding Opera’s probable support of web fonts, there comes a timely press release from font publishers, Ascender.
A call out to font foundries to stop fretting about web font embedding and instead make it work in their favour.
Why and how Web designers should be using font-family in a more adventurous manner: there are some great typefaces out there – let’s use them. The Visibone survey is an invaluable aid in typeface selection.
Investigation into, and a fix for a peculiar bug in Mac-based Webkit browsers, including Safari and Chrome.
Survey of installed fonts on different platforms, Mark Newhouse’s real world CSS and the Polar Bear 2 is in beta.
The most fabulous and surreal thing happened to me last night.
There’s more to the lives of many typefaces than just Bold and Regular, but almost no browsers follow the proper CSS 1 way of specifying Light, Semibold, Black and other weights. There is a workaround, but it’s nasty.
I want to design a new way for visual designers to find fonts which specifically suit their needs and the needs of their clients. This means approaching things by way of a user-centred design process. And I need your help.
Just recently Jeffrey Zeldman was bemoaning the sub-standard state of text rendering in Firefox on a Mac. And the sad truth is he only skimmed the surface; Firefox, Safari, Opera and Camino may render even the same font differently.
I’m extremely proud to say that two weeks ago Fontdeck opened its doors to the type-loving public. It’s been a long time in coming – too long I’d admit – but Fontdeck is now live and I’m hugely excited about what’s to come.
The availability of fonts for use in Web typography, or more specifically the lack thereof, has been getting some welcome attention recently.
I’m proud to have been part of the Web Typography panel at SxSW 2009 alongside Jon Tan, Ian Coyle, Elliot Jay Stocks & Samantha Warren. I’ve jotted down some of the topics we discussed, and some we talked about beforehand but didn’t have time for.
Text for the screen is sized with CSS in terms of pixels, ems or keywords. Pixels is easy, keywords are well documented. That leaves ems. I will now attempt to show you how ems can be as quick and easy to use as pixels.
Back in January I was part of a double bill with Jon Tan, entitled Skillswap goes typographic. It went down really well so I thought I’d better tie it all together here.
Not Eric Meyer, but Eric Myer (it’s a terrific photographer’s portfolio – make sure you play with the Stereotypes). Thanks to Adactio.
An unedited extract from my forthcoming book, Web Typography. This chapter is quite technically focussed and hopefully stands well on its own. The other chapters I’ve written contain much higher proportion of typographic theory.
I’m no lover of Helvetica but neither do I hate it. That said I really do have an aversion to Helvetica Neue Light, or rather an aversion to when Helvetica Neue Light is used without due thought and attention, and particularly within user interfaces.
A tale of how typesetting a beautiful poster led to an exploration and explanation of how manually kerning type on the web can be tricky, but also made to work across browsers.
A couple of days ago, my installation of Google Chrome updated itself from version 49 to version 50. The timing was fortuitous and relieved me of a growing text rendering headache.
Tomorrow lunchtime I’m off to Morzine for ten days of Alpine mountain biking, for the third year in succession. As usual I’ve multiplied the cost of the trip by getting my grubby hands on a bunch of spanking new kit: Hope Mini disc brake, Race Face riser bars and…
At Typ09, FontShop put together Webfonts Week, a series of interviews with leading type designers. There is universal support for webfonts now, even from those who were dead set against it a year ago.
Your mantra for today: ditch divs and eliminate ids for leaner, more meaningful mark-up. Now before you turn away, branding me as a slave to semantics, I will explain some of the common misconceptions to show how the number of divs and ids can easily be reduced.
Having stood since the 14th Century, Ye Olde Smugglers Inne (formerly the Market Inn) was the victim of a hit and run crash in the early hours of 14th July 2004.Amazingly Maureen Scott, Landlady of 27 years, and her husband Rob, slept through the incident – to be woken…
The latest issue of Design Edge Canada magazine – a publication for Canada’s graphic design industry – was a web typography special for which I contributed top ten tips for web typography.
Jakob mourns the demise of the text sizing buttons IE but fails to point out that it won’t have any effect on a Windows machine if text is sized in pixels. Microsoft have stopped giving away their free web fonts.
Last month Adobe and Macromedia finally settled their patent squabbles. Perhaps it went like this: Adobe BigWig: Heh, those Macromedia palettes are just like ours! Let’s sue their ass! Macromedia BigWig: That does it! Your element blending & sound technology…
Why is the humble apostrophe so regularly misused and why are hairdressers so often the culprits? Ladie’s perm’s at half price (As the Guardian readers’ editor points out, journalists who should know better also get it wrong.) Apostrophes have two…
At midday today, people across Europe held a two minutes silence in memory of those killed and injured a week ago in London. It was one of the most unexpectedly moving experiences I have ever had.
Getting work with governmental bodies frequently involves a tedious, time consuming, tendering process with spurious clauses bad for the soul.
Mozilla 1.0. Stick a fork in it. It’s done and looking good. Posted a few pikkies from the Mini Rally recently held in Brighton. Check out those wonderfully ridiculous chopped cars – why have a small car when you can have a tiny one? Like me, Owen Briggs has been…
Well it seems someone isn’t too keen on The Guardian’s blog competition. Tom argues that the compo goes against the essence of blogging; that we shouldn’t be judging people’s outpouring of thoughts, emotions and ideas. On the face of it, this…
More tedious mark-up discussion. This time it’s versus .
Clagnut went missing but now it’s partially back.
I recently started listing Google search terms with each blog post. This was done as a matter of interest, but it had an unintentional effect: the search terms fed back into Google and boosted my page rank. I explain the feedback process.
To my surprise, Clagnut.com was last redesigned in September 2008. Well, it’s all change, with a new redesign launched today. It’s been created from the typography outwards, responsive from the beginning and elegant on huge as well as tiny screens.
WaSP have just released a minisite, designed by Ethan Marcotte. The purpose of Browse Happy is to spread the message to all and sundry that there are alternative browsers to Internet Explorer.
So Mark and I gave our presentation yesterday at South by Southwest. The slides and some references are online, along with a recording of the session and its transcription.
HTML Entity Character Lookup is a little free webapp and comes a Dashboard widget too, which is super-handy.
Last week Digital Arts online featured me, among others, in a piece on web fonts in 2015. My main points were twofold: more interesting treatments are required, and type designers keep giving us more fantastic materials to work with.